Jewish American Heritage Month

Here is Philip Roth's masterpiece, featuring Nathan Zuckerman and the story of Swede Levov, a legendary athlete at his Newark high school, who grows up in the booming postwar years to marry a former Miss New Jersey, inherit his father's glove factory, and move into a stone house in the idyllic hamlet of Old Rimrock. And then one day in 1968, Swede's beautiful American luck deserts him. For Swede's adored daughter, Merry, has grown from a loving, quick-witted girl into a sullen, fanatical teenager--a teenager capable of an outlandishly savage act of domestic terrorism. And overnight Swede is wrenched out of the longed-for American pastoral and into the indigenous American berserk. Compulsively readable, propelled by sorrow, rage, and a deep compassion for its characters, American Pastoral gives us Philip Roth at the height of his powers.

Since the Tall Boots--the Nazis--have marched into Monique's small French village, terrorizing it, nothing surprises her. Until the night Monique encounters "the little ghost" sitting at the end of her bed. When she turns out to be--not a ghost at all--but a young girl named Sevrine, who has been hiding from the Nazis in Monique's own basement, how could Monique not be surprised! Playing upstairs after dark, the two become friends until, in a terrifying moment, they are discovered, sending both of their families into a nighttime flight. In the tradition of Pink and Say, Patricia Polacco once again dips into her own family's history to reveal her Aunt Monique's true story of friendship from the French Resistance.

From Rabbi to writer -- The Chosen -- The Promise -- My Name is Asher Lev -- In the beginning -- Wanderings; Chaim Potok's History of the Jews -- The Book of Lights -- A postscript on Davita's Harp -- The writer arrived.

A new book inspired by the World War II story you've never heard--the real-life quest of an unlikely hero to save the lives and work of Europe's great minds from the impending Holocaust   In 1940, Varian Fry traveled to Marseille carrying three thousand dollars and a list of imperiled artists and writers he hoped to help escape within a few weeks. Instead, he stayed more than a year, working to procure false documents, amass emergency funds, and arrange journeys across Spain and Portugal, where the refugees would embark for safer ports. His many clients included Hannah Arendt, Max Ernst, Marcel Duchamp, and Marc Chagall, and the race against time to save them is a tale of forbidden love, high-stakes adventure, and unimaginable courage.

Jules Epstein, a man whose drive, avidity, and outsized personality have, for sixty-eight years, been a force to be reckoned with, is undergoing a metamorphosis. In the wake of his parents' deaths, his divorce from his wife of more than thirty years, and his retirement from the New York legal firm where he was a partner, he's felt an irresistible need to give away his possessions, alarming his children and perplexing the executor of his estate. With the last of his wealth, he travels to Israel, with a nebulous plan to do something to honor his parents. In Tel Aviv, he is sidetracked by a charismatic American rabbi planning a reunion for the descendants of King David who insists that Epstein is part of that storied dynastic line. He also meets the rabbi's beautiful daughter who convinces Epstein to become involved in her own project--a film about the life of David being shot in the desert--with life-changing consequences. But Epstein isn't the only seeker embarking on a metaphysical journey that dissolves his sense of self, place, and history. Leaving her family in Brooklyn, a young, well-known novelist arrives at the Tel Aviv Hilton where she has stayed every year since birth. Troubled by writer's block and a failing marriage, she hopes that the hotel can unlock a dimension of reality--and her own perception of life--that has been closed off to her. But when she meets a retired literature professor who proposes a project she can't turn down, she's drawn into a mystery that alters her life in ways she could never have imagined. Bursting with life and humor, Forest Dark is a profound, mesmerizing novel of metamorphosis and self-realization--of looking beyond all that is visible towards the infinite.

When Sholem Asch wrote God of Vengeance in 1907, he didn't imagine the height of controversy the play would eventually reach. Performing at first in Yiddish and German, the play's subject matter wasn't deemed contentious until it was produced in English, when the American audiences were scandalized by the onstage depiction of an amorous affair between two women. Paula Vogel's newest work traces the trajectory of the show's success through its tour in Europe to its abrupt and explosive demise on Broadway in 1923--including the arrest of the entire production's cast and crew.

When compiler Jerome Charyn first read Saul Bellow's The Adventures of Augie March, a world of letters opened up to him. It was his first exposure to the full potential of language, rendered breathlessly. In those pages he felt the terror and delight and buzz and ceaseless clatter of the inside of a hornet's head. Here, he shares with us nineteen stories, including one from Augie March, that evoke similar feelings of passion and pain and joy. Selected from some of America's most celebratedJewish writers, as well as a few lesser known ones, Inside the Hornet's Head is a moving, daring, appealing, and indispensable work.

Dances and balls appear throughout world literature as venues for young people to meet, flirt, and form relationships, as any reader of Pride and Prejudice, War and Peace, or Romeo and Juliet can attest. The popularity of social dance transcends class, gender, ethnic, and national boundaries. In the context of nineteenth- and twentieth-century Jewish culture, dance offers crucial insights into debates about emancipation and acculturation. While traditional Jewish law prohibits men and women from dancing together, Jewish mixed-sex dancing was understood as the very sign of modernity--and the ultimate boundary transgression. Writers of modern Jewish literature deployed dance scenes as a charged and complex arena for understanding the limits of acculturation, the dangers of ethnic mixing, and the implications of shifting gender norms and marriage patterns, while simultaneously entertaining their readers. In this pioneering study, Sonia Gollance examines the specific literary qualities of dance scenes, while also paying close attention to the broader social implications of Jewish engagement with dance. Combining cultural history with literary analysis and drawing connections to contemporary representations of Jewish social dance, Gollance illustrates how mixed-sex dancing functions as a flexible metaphor for the concerns of Jewish communities in the face of cultural transitions.

A brutally moving work of art--widely hailed as the greatest graphic novel ever written--Maus recounts the chilling experiences of the author's father during the Holocaust, with Jews drawn as wide-eyed mice and Nazis as menacing cats. Maus is a haunting tale within a tale, weaving the author's account of his tortured relationship with his aging father into an astonishing retelling of one of history's most unspeakable tragedies. It is an unforgettable story of survival and a disarming look at the legacy of trauma.

This new biography of famed American novelist Philip Roth offers a full account of his development as a writer.Philip Roth was much more than a Jewish writer from Newark as this biography reveals. His life encompassed writing some of the most original novels in American literature, publishing censored writers from Eastern Europe, surviving less than satisfactory marriages, and developing friendships with anumber of the most important writers of his time from Primo Levi and Milan Kundera to Isaac Bashevis Singer, Saul Bellow and Edna O'Brien. The winner of a Pulitzer Prize, National Book Award and the Man Booker International Prize, Roth maintained a remarkable productivity throughout a career thatspanned almost fifty years, creating 31 works. But beneath the success was illness, angst and anxiety often masked from his readers. This new biography, drawing on archives, interviews and his books, delves into the shaded world of Philip Roth to identify the ghosts, the character and even identityof the man.

Philip Roth's bestselling alternate history--the chilling story of what happens to one family when America elects a charismatic, isolationist president--is soon to be an HBO limited series.   In an extraordinary feat of narrative invention, Philip Roth imagines an alternate history where Franklin D. Roosevelt loses the 1940 presidential election to heroic aviator and rabid isolationist Charles A. Lindbergh. Shortly thereafter, Lindbergh negotiates a cordial "understanding" with Adolf Hitler, while the new government embarks on a program of folksy anti-Semitism.   For one boy growing up in Newark, Lindbergh's election is the first in a series of ruptures that threaten to destroy his small, safe corner of America-and with it, his mother, his father, and his older brother.

Kazin's memorable description of his life as a young man as he makes the journey from Brooklyn to "americanca"-the larger world that begins at the other end of the subway in Manhattan. A classic portrayal of the Jewish immigrant culture of the 1930s. Drawings by Marvin Bileck.

These eight new stories from the celebrated novelist and short-story writer Nathan Englander display a gifted young author grappling with the great questions of modern life, with a command of language and the imagination that place Englander at the very forefront of contemporary American fiction.   The title story, inspired by Raymond Carver's masterpiece, is a provocative portrait of two marriages in which the Holocaust is played out as a devastating parlor game. In the outlandishly dark "Camp Sundown" vigilante justice is undertaken by a group of geriatric campers in a bucolic summer enclave. "Free Fruit for Young Widows" is a small, sharp study in evil, lovingly told by a father to a son. "Sister Hills" chronicles the history of Israel's settlements from the eve of the Yom Kippur War through the present, a political fable constructed around the tale of two mothers who strike a terrible bargain to save a child. Marking a return to two of Englander's classic themes, "Peep Show" and "How We Avenged the Blums" wrestle with sexual longing and ingenuity in the face of adversity and peril. And "Everything I Know About My Family on My Mother's Side" is suffused with an intimacy and tenderness that break new ground for a writer who seems constantly to be expanding the parameters of what he can achieve in the short form.   Beautiful and courageous, funny and achingly sad, Englander's work is a revelation.

In the half-century since its premiere,Fiddler on the Roof has become a supremely potent cultural landmark, beloved by audiences the world over. Now, in a history as captivating as its subject, award-winning drama critic Alisa Solomon traces how and why the story of Tevye the milkman, the creation of the great Yiddish writer Sholem-Aleichem, was reborn as blockbuster entertainment and a cultural touchstone, not only for Jews and not only in America. It is first a story of the theater, as Solomon follows Tevye from his humble appearance on the New York Yiddish stage, through his adoption by leftist dramatists as a symbol of oppression, to his Broadway debut and his starring role in a major Hollywood picture. And it is a cultural story, of a show that spoke to the deepest conflicts and desires the world over: the fraying of tradition, generational tension, the loss of roots. Entertaining and original,Wonder of Wonders reveals the profound legacy of a show about tradition that itself became a tradition.

For sixty years, Jewish refugees and their descendants have prospered in the Federal District of Sitka, a "temporary" safe haven created in the wake of revelations of the Holocaust and the shocking 1948 collapse of the fledgling state of Israel. Proud, grateful, and longing to be American, the Jews of the Sitka District have created their own little world in the Alaskan panhandle, a vibrant, gritty, soulful, and complex frontier city that moves to the music of Yiddish. For sixty years they have been left alone, neglected and half-forgotten in a backwater of history. Now the District is set to revert to Alaskan control, and their dream is coming to an end: once again the tides of history threaten to sweep them up and carry them off into the unknown. But homicide detective Meyer Landsman of the District Police has enough problems without worrying about the upcoming Reversion. His life is a shambles, his marriage a wreck, his career a disaster. He and his half-Tlingit partner, Berko Shemets, can't catch a break in any of their outstanding cases. Landsman's new supervisor is the love of his life--and also his worst nightmare. And in the cheap hotel where he has washed up, someone has just committed a murder--right under Landsman's nose. Out of habit, obligation, and a mysterious sense that it somehow offers him a shot at redeeming himself, Landsman begins to investigate the killing of his neighbor, a former chess prodigy. But when word comes down from on high that the case is to be dropped immediately, Landsman soon finds himself contending with all the powerful forces of faith, obsession, hopefulness, evil, and salvation that are his heritage--and with the unfinished business of his marriage to Bina Gelbfish, the one person who understands his darkest fears. At once a gripping whodunit, a love story, an homage to 1940s noir, and an exploration of the mysteries of exile and redemption, The Yiddish Policemen's Union is a novel only Michael Chabon could have written.